Caught Live: ALTER BRIDGE; o2 Academy Birmingham 26 October 2010

Because, once again, I left it late to get a ticket for this gig, all that were left on the night were balcony spaces. Which was better than I got at Manchester, because that sold out some time ago and I missed it! Alter Bridge's popularity is increasing all the time in Great Britain and after a two-year absence from these shores there was huge interest in these dates. While they've been away, singer Myles Kennedy has played shows with Slash, raising his profile even higher, while across the pond the other three reunited with Scott Stapp and took Creed back out on the road. That was controversial and enough has been written about it, suffice to say I was pleased that Alter Bridge did return as they promised (!)

The o2 Academy in Birmingham is a new venue to me; it replaced the old venue across town (which was demolished last year) and this new place is sited alongside one of the main roads leading to the city centre. There was an enormous queue at the venue when I arrived and I would guess that the place held close on 3000. What I could see of the downstairs looked completely packed and there were plenty filling the small seating area in the balcony as well as plenty more opting to watch from the back. It's been a while since I was obliged to be seated at a concert so I was unusually comfy and with a clear view of the stage when support Slaves To Gravity came on. They played for around 45 minutes and were good live, but their material didn't do a lot for me. They made all the right moves and their singer (a good vocalist, I have to say) said all the right things, most notably bigging up the headliners, but despite an enthusiastic, energetic performance, I wasn't hooked. Of course, with a crowd as partisan as Alter Bridge's, any band not called Logan are going to have a hard time opening this show (Logan supported in 2005 and 2008, and because they have a similar style, went down well) and these guys were received politely at best.

It was a good half-hour before the headliners emerged, while the increasingly restless crowd chanted the band's name, and a huge roar went up when the lights finally went down and the singer appeared. They opened the set with 'Slip To The Void' from the new album, before giving us TWO tracks in succession from previous album 'Blackbird'. The set was loaded more towards the older material than the new record, which was a little bit surprising as when they toured in support of 'Blackbird' in early 2008, they played a lot of songs from that album. This time round, we got most of the favourites from that album again!

It's not a complaint since I actually prefer the last album to the current one, but I did wonder which record they were promoting! So out for another airing were 'Before Tomorrow Comes', 'Buried Alive', 'Brand New Start' and 'Blackbird' (preceded as ever, by a snippet of The Beatles' song of the same name) among others, but no 'Watch Over You'.

That was intended to be played in the encore, but when the guitar tech brought on the stool only to remove it again almost immediately, it was apparent they'd changed things around a bit. At several points during the show, Kennedy apologised for not being at his best, although he was hitting high notes in places, there were others where he almost 'talked' through the words. I thought he sounded in decent nick generally, though (those songs must be extremely hard to perform night after night), but he was quick to acknowledge the vociferous 'choir', proclaiming that they 'kicked his ass'.

It was noticeable that although the new AB III songs were cheered, the older songs were greeted with a roar that almost lifted the roof off the new venue. Maybe the new songs are not that familiar yet, but perhaps it isn't just me that isn't 'feeling' the newie quite like the previous records. Alter Bridge at their best are capable of raising the emotions in the most hard-bitten rockers, and songs like 'Broken Wings' and 'Brand New Start' certainly do that, while the likes of 'I Know It Hurts' aren't quite at that level. They ended the main set with 'Isolation', before playing what I now know to be a truncated encore, first playing 'Open Your Eyes' complete with crowd participation, and culminating with 'Rise Today'. (They have been playing both 'Watch Over You' and 'Wonderful Life' acoustically on the other dates.)

Nevertheless it was still a long set, with almost everything I wanted to hear performed I had little to complain about. The other thing I observed from high up in my lofty perch was how much Kennedy has become the figurehead of this band; he's no longer the unknown singer in Mark Tremonti's project, he's very much the leading light of the group now. The Slash gig plus those Zeppelin links (it's now known he did rehearse with Page and co) have transformed the previously slightly shy frontman into a rock giant. If the Creed thing does take hold across the Atlantic once again, Kennedy won't be left high and dry.

However such speculation is for the future; for now let's hope they mean it when they promise 'Don't forget we're here to stay' in their song 'Come To Life'. If they are, arenas beckon next time round.

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Caught Live: Theory of a Deadman, o2 Academy Liverpool, 7 April 2010.

About the only thing I knew of this band prior to their gig in Liverpool was that they sounded like Nickelback. It turns out that the connection is far deeper than that; also Canadian, they were actually signed to Chad Kroeger's label and he had a hand in writing the material from their first album, released in 2002. A four-piece band, with vocalist Tyler Connolly using a two-microphone setup (one 'clean', one distorted) in similar fashion to the Nickelback singer, and with him also taking much of the lead guitar work, the focus is very much on Connolly and his throwback 1950's hair (!)

Their songs have much the same structure as their multi-million selling countrymen, with many singalong anthems made for the arena. The main issue I had with them was that they do not really stand out; it's not just that they sound like another more famous band (after all, the last group I saw at this place are also criticised for sounding like a much better-known band from their own land!) but that they could be just one of any number of North American groups playing this style. I could imagine their songs being used in a soundtrack to the latest drama on CBS, or as a backing track to a commercial aired on TV across the pond. The fact that their guitar tech wore a 'Late Show with David Letterman' shirt spoke volumes; it's that sort of pseudo-alternative rock that seems to do so well over there.

They do have some good songs, but nothing that really latches onto the brain the way Nickelback have done. For all their detractors, Kroeger and co have the knack of writing that song which hits the spot. If they can break through with one song in that manner they will probably take off, but for now it's strictly a cult following. The crowd at the o2 was a reasonable turnout, maybe just short of a thousand and many present knew the songs. They did play well, although I thought Connolly's vocal was a little lost in the mix, but as stated before there is little to mark them out as special.

The same cannot be said for the support (Halestorm). A four-piece fronted by female singer/guitarist Lzzy (that's not a typo - she does leave out the 'i'!) they rocked up the place in fine style, after finding themselves opening the show with the withdrawal of Heaven's Basement from the bill. Lzzy introduced herself with an extended bout of shrieking and hollering, this slender dark-haired figure was not afraid to show off her impressive vocal range. The band play old-fashioned hard rock (comprising lead guitarist Joe Hottinger, bassist Josh Smith and Arejay Hale - Lzzy's brother - on drums) but their singer is far and away their best asset. She has power, range, and stage presence; it was like hearing Jody Turner (remember her?) in Suzi Quatro's shoes!
After hearing this band - again, a band I knew nothing about prior to tonight - I and many present were very impressed. They went off to a great reception, the best I've heard from a support act in years. After their set they conducted a signing session at the merchandise stand; the crowd they drew just for that illustrated how well they went down. Luckily for me, I got the last copy of their CD on sale at the gig for a bargain £2 - just because it was the display copy and the case was broken. Result - and all the band signed it! Speaking to Lzzy afterward, she was delighted with the way the band were received.

So then, a good night; although the headline band were good, their support blew me away. Look out for Halestorm, they deserve to go a long way.

Caught Live: Airbourne, o2 Academy Liverpool, 2 April 2010

One of my favourite bands of all time is Bad Company; when the three surviving members of the four-piece announced a reunion tour last Autumn I was keen to go and see them. A bunch of scruffy Aussies put paid to that plan however, when they went and scheduled their gig at Liverpool for the same night as Bad Co's show at the MEN Arena, just up the M62 in Manchester. As someone who is constantly complaining at the gig situation in what is, after all, one of the most famous cities in popular music (plus the tickets for Rodgers and co were a wallet-mugging £35-£40!) the odds were stacked in favour of this hard-drinking, hard-partying lot from Down Under.

The o2 Academy was very busy this night, with three bands on this bill plus another show happening in the downstairs part (Airbourne had the larger stage upstairs) but I was delayed getting into the city, so I had missed both support bands by the time I got into the hall. The place looked very full, even the upper balcony was open and I reckon this show sold out on the night. Impressive stuff considering the competing gig happening 35 miles or so away.

Having seen Airbourne twice before, I knew what was coming, but they still stunned this crowd into silence with their relentless pounding anthems. I don't think half of them knew what had hit them! They've changed hardly at all since their last visit, every song is written to the same straightforward formula, with singalong choruses so that even if you do not know it when it starts, you certainly do by it's end! The subject matter is also pretty simple: songs about boozing, women, or boozing AND women! All delivered at an unrelenting pace so the effect is of being pummelled into submission!

About the only change to last time (apart from the substantial number of songs from new album 'No Guts No Glory' played) was when frontman Joel O'Keefe did his 'Angus' walkabout into the crowd. Not satisfied with merely walking through the audience like last time, he showed Antipodean disregard for health and safety by climbing up to the balcony - from whatever he could find for footholds - and walking along the FRONT of the balcony in front of the barrier, where he could have fallen at any point! Of course, once back on the stage he proceeded to do his favourite trick of bashing beer cans open with his head before lobbing the still-spraying can into the crowd.

Two albums in and those AC/DC comparisons have still not gone away; having seen the masters last year though I can testify that this is a completely different experience. It's a raw, primal, brutal gig as opposed to the polished professionalism of the Young brothers. The brothers O'Keefe are totally unreconstructed rockers, along with their partners David Roads and Justin Street on guitar and bass respectively. Both stay in the background, headbanging away as the play, but are integral to the monstrous sound cooked up. It could only come from Australia!

Like their illustrious countrymen, Airbourne prefer to call their sound simply 'rock and roll' - but this was heavier, louder, harder and more brutal than many bands I've seen who DO consider themselves 'metal'. There was even a moshpit forming towards the end of the set!

Before too much longer these guys will be playing arenas; whether they can keep the hard edge to their show when that happens remains to be seen. Until then, it is strongly recommended that this band be seen while they're still up close and personal.

Caught Live: Quireboys, o2 Academy Liverpool 17 December 2009

It's not a good time of the year to be pulling pranks on a train, but that was what happened last night when I was waiting outside the venue. It didn't affect me, directly but a mate who was going to the gig also (and for whom I had the ticket) was detained by a daft kid who decided to pull the emergency brake some distance from Liverpool. That caused a l-o-o-o-n-g delay, and as I did not have my phone on me that night (sod's law, the one time you forget to take it, something happens!) I could only guess at the problem while shivering my extremities on a rather cold December night.

As a result, we missed Wolfsbane who, with their full original line-up including Blaze, were supporting. I would have liked to see them but it will have to be another time, if they keep it going. We only just made it in time for the headline band and the lower floor of the Academy was very full. (Local heroes Echo & The Bunnymen were also playing at the larger upstairs part, so the place was very busy this night.)

The Quireboys opened with 'Mayfair', one of their really old songs that even pre-dates the 'A Bit of What You Fancy' album, which this tour is celebrating. After a few newer songs then, the band proceeded to deliver every track from that album in the correct sequence. It went down great with this crowd, many of whom were probably of a similar age to myself and when singer Spike mentioned the club 'Stairways' in Birkenhead, he got a bigger cheer than perhaps he bargained for (!) It's his down-to-earth charm which holds the crowd in thrall, you cannot help but like the guy. When it comes to singing, his voice is a little more gravelly even than it was 20 years ago, but it is strongly imbued with passion; he is a soul singer in a rock 'n' roll band. It's that quality which makes him so compelling live, when delivering ballads such as 'I Don't Love You Any More' you really believe in it. Between songs, of course, he is cracking jokes and revelling in the crowd banter.

It's as well he connects so well with the crowd, since I reckon most of us couldn't see him properly! I was about two-thirds of the way back and could only see glimpses of a red bandana; the lower floor is not too great for viewing unless you're up at the front, and it doesn't help when the crowd all appear to be tall and lanky! (I'm 5' 11" so not exactly short, even so I struggled to see!) After playing the entire 'Fancy' album they ended the main set, before the encore which included Blaze reappearing for a none-too-serious rendition of 'Sex Party'.

A lot has happened in the 20 years since that album was recorded, but for those couple of hours, it was 1990 once again. Most professional rock writers review gigs such as this with a dismissive statement: 'like Grunge never happened'. It was indeed, but that, in the opinion of this unprofessional writer, is far from a bad thing. Excellent gig and it's great to see Spike and his mates still enjoying themselves.

Caught Live: Dragonforce, o2 Academy Liverpool 12 December 2009

I'm kinda confused after watching this gig from the UK-based 'extreme power metallers'; on the one hand, playing the way they do with such intensity and precision really takes some doing but on the other, it's all a bit one-dimensional, if you know one song you know the set. On top of that, they actually acknowledge it - as demonstrated by guitarist/songwriter/stage clown Sam Totman, when telling the audience 'they (the songs) all sound the same anyway!' He and fellow speed-shredder Herman Li were ribbing one another all night, when not swapping hyperspeed lead solos they were taking the mick out of one another between songs!

The impression that they leave me with is that of extremely talented musicians 'slumming it' playing Power Metal; there is no question that these two can really play (especially Li, without doubt the star of the band even over vocalist ZP Theart) but that they just regard a Dragonforce gig as a platform to show off. It's kinda like when an old-school Metal band lets the guitarist take a solo while the rest of the band go off stage, except they just solo all night while the rest of the band stay on stage and bash away behind them! They are surely capable of more than whammy bar dive-bombing and sweep-picking - it's just that this is all we are treated to.
Totman is perceived as the clown, he often takes swigs from beer cans (left on the mike stands for him to grasp at various points) or pulls faces, and jumps about while Li takes the solo, but is always in place to take his own turn when it comes. They'd like the crowd to think they're just goofing around, but you cannot play that way without a lot of practice. Their drummer (Dave Mackintosh) left me gaping open-mouthed; song after song it was badda-badda-bam-bam-bam - not just fast playing but hard fast playing! How he kept that up for the entire set is beyond my comprehension, how he does that night after night especially so! If you can imagine Usain Bolt running the way he does for 100 metres, but being able to keep that going for 10000 metres instead, that's how hard I imagine that to be! Not forgetting bassist Frédéric Leclercq and keyboard player Vadim Pruzhanov, both were up at the front frequently alongside the guitarists and the singer, all competing for the spotlight and the crowd.
Maybe that's their appeal, it is not so much a live gig as a race to see who can be the fastest!

They are incredible players live, but they have little concept of 'light and shade'. It's 'light and even more light' with these fellas! Consequently one song seemed to run into another, when Totman mockingly threatened that the band would not be playing 'Through The Fire and Flames' (their best-known song) it hardly mattered. Almost all their songs are like that, it was a genuine shock to the system when they slowed it down in the fourth song (briefly!) So, even if they had not played it (of course they did - in the encore when joined by what looked like the support band and all their crew) a casual observer wouldn't have noticed and probably thought that they had!

The guitars were dominating the sound to the point where I couldn't always hear vocalist ZP Theart properly, he is a good singer and would probably flourish in another band where he could express himself. As it is, he's totally overshadowed by the Li/Totman antics.

Consqeuently then, I'm not sure whether I enjoyed the gig or not - they strike me as just playing like that 'for the lulz' (to use awful internet terminology). You can't see how they would evolve from this style, they're painted into a corner. And they're far too talented to stay in the corner forever.

I only caught the end of support Sabaton; the Swedish metallers went down great with the early attendees although what I heard sounded very much like Priest/Maiden influenced Metal. I'd probably give them another go if they're around again though, since two songs isn't really enough to assess them with. However, hearing just one Dragonforce number will tell you all what they're about!