This is a test to try out an autopost to my new site

Been setting up a new site on Wordpress which will be an alternative home for these music blogs. (They will still appear here). It's not ready yet but to test the autopost is working, I'm going to put up a few videos I found from the Mr Big concert last week. Hope you like them! :)

The Drill Song (Daddy Brother Lover Little Boy)

 

Undertow

 

Take Cover

 

Smoke On The water

Caught Live: The Union, Academy 3 Manchester, 15 April 2010

The timing of this gig was not ideal for me but as this show was the nearest one to me on this, the first full UK tour from Luke Morley and Peter Shoulder's new project, I was keen to go along. I was a massive fan of Thunder, Morley's previous band and was also well aware of the talent of Durham's Peter Shoulder, having seen his old band Winterville on many occasions until their sudden, unexpected split in early 2007.

The turnout at the Academy 3 was respectable, if not totally packed and I arrived in time to catch the last few numbers from openers Voodoo Six. Based on what I heard, they're a fine hard rock band although I thought the vocalist was perhaps not at his best, he seemed to be battling with a throat problem. I'd see this band again if they are playing anywhere near me, it's old-school hard rock of the sort I used to enjoy in the 1980s.

The Union came on some time later, to the sound of the Strawbs' song of that name; the irony of hearing that old song in an era when being 'part of the union' means nothing like it did when it was recorded wasn't lost on me (not to mention the fact that the first of the 'election debates' was taking place across town at the same time!)

That's about as political as this blog gets, on with the show!

Although billed as a collaboration between the former Thunder guitarist and the young gun from the North East, the live line-up is a four-piece which includes drummer Phil Martini and former Thunder bassist Chris Childs. The atmosphere at this gig was noticeably relaxed; even from my spot a few feet from the stage there was never any possiblilty of a moshpit developing! Peter Shoulder is no longer the slightly starstruck kid he was back in his early Winterville days, he's now matured into a confident frontman with a very easygoing stage presence. I'd almost forgotten just how good a singer he is too, he has that rich bluesy tone very much in the tradition of great singers from his part of the world.

I was unfamiliar with much of the material presented tonight, although they have made one or two songs available on MySpace or as downloads, and apart from the cover of 'Proud Mary' in the encore all the songs played were new. So, no Thunder or Winterville covers! That was probably a good thing, as this is a totally new project and although the rockier songs played certainly do display some of the Morley songwriting trademarks, there were also more acoustic/bluesy ones which were very suited to Shoulder's vocal. The band did note how quiet the crowd were in between songs (although the reception given to each song was warm); that may have been partly due to the audience's unfamiliarity with the songs but also it may have had more to do with the informal atmosphere. It was more of a club gig than a big production, though no less enjoyable for that.

If you were a Thunder fan then this band is well worth your time; however do not expect it to be Thunder Mk 2. There seems to be more scope in this band to explore different avenues, and I look forward to hearing the finished album and seeing the guys again soon.

Caught Live: Winger, Manchester Academy 3, 24 March 2010

I seriously considered getting a plain black T-shirt and a fabric paint pen, and scrawling 'WINGER' on it in crude letters in a tribute to Winger's biggest fan (Stewart from 'Beavis and Butthead') before going to this gig, but as I didn't much fancy a bass guitar wrapped around my head I played safe and wore my favoured Whitesnake T-shirt, in recognition of the fact that guitarist Reb Beach was back with the band that first made him famous.

It's well known that band leader Kip Winger was less than pleased with the constant ribbing of his band all those years ago, and especially at the sight of Metallica chucking darts at a picture of him in one of their videos. Considering all that, it's ironic that in 2010 it is Metallica who are the unapproachable stadium rock gods, whereas Winger are playing small venues on this tour such as the Academy 3 at Manchester University, a far more down-to-earth and up-close and personal gig. The turnout was actually quite disappointing; the Academy 3 (formerly the Hop and Grape) is small but still by my estimation only around 60% full. A shame, since those that stayed away missed a very good night of rock.

The opening act (Darkhorse) were on as I entered the hall, with few people here at this stage I was able to get a spot just a few metres off the front with no problems. The band played well, but their music was unspectacular hard rock which owed a lot to Lizzy, AC/DC and early Leppard. They certainly looked like they'd come from the early 80s too. However I've seen far worse, and they've got time yet to improve.

The support drum kit stayed in place after they finished and before long a band that really WERE from the 80s came on. I had no clue who they were, as six blokes obviously well into middle-age appeared on stage. One of their guitarists was a ringer for darts player Simon Whitlock (!) and the other looked like he should be playing prop for Sale Sharks! Fronted by a slender (but still older) gent with a strong voice, I was intrigued, since it was clear from their first song they were a very good band indeed.
It turned out that this band was Airrace - who made one album almost 25 years ago ('Shaft of Light') and disappeared soon after. Back in 1985, they got press attention mainly because of the fact they had Jason (son of John) Bonham on drums; he is not involved with the band nowadays but that didn't matter much to me since this was pretty much all I knew about them before tonight! The Simon Whitlock ringer was Dean Howard, who has appeared with many other bands including T'Pau, and the prop forward on the other guitar was Laurie Mansworth, once of More, who played at Donington almost 30 years ago. Both played very well as indeed did the whole band, and got a fine reception from a crowd which had swollen at the front.
They say that after 25 years, they are finally to make a second album ('Shaft of Light' has been reissued and was available at the gig) - a gap that makes Boston seem prolific (!) but based on what I heard tonight, it should be worth checking out.

After a prolonged break Winger finally emerged at 9:40 pm, with the bespectacled frontman reminding me of cricketer Daniel Vettori (there's a bit of an Antipodean sports theme going on here!) and, as yours truly was not wearing a crudely-improvised Stewart-style T-shirt, my noggin was quite safe from any basses! My main reason for coming was of course to see Reb Beach; I have only one Winger album (the second one, 'In The Heart Of The Young') and then only on vinyl, so it's fair to say I'm not exactly knowledgeable about their output. From the word go Reb was a totally different character to that I usually see with Whitesnake; much more to the fore and pulling endless guitar gurns as he shredded like crazy, he was clearly enjoying this gig, in a far more intimate setting than the huge stages he's been treading over the past two years. He seemed to be having a laugh and a joke with several members of the crowd too, and his singing was top-notch along with that of fellow guitarist John Roth. The band played a set that featured most of their fan favourites, with 'Easy Come Easy Go' appearing early on. It seemed to me that Kip's vocal was noticeably lower in pitch than in years gone by, but in any event it was subdued somewhat by a sound mix that was surprisingly heavy. Anyone who dismissed these guys as wimpy should have been at this gig - they definitely rocked hard!

Kip Winger is renowned as one of rock's premier bassists of course, and from my centre position I could clearly see how much he puts into his playing (all the while singing too) - he's not just tapping the bottom E string all the time, there's a lot of fills going on there and to see that up close was very impressive. He gave all his band members featured spots; first John Roth got to show his own solo skills and then was given a country-style lead guitar showcase, then Reb Beach was given the stage to shred to his heart's content. He kept it short but packed a lot in, and towards the end drummer Rod Morgenstein got his chance to do a similarly short solo. I prefer to just hear the songs rather than solos, but I suppose that is a part of an old-school gig and this was certainly one of those!

For the ballads, Kip played keyboards and the band did without bass altogether; an unusual approach I thought considering there were two guitarists, normally you'd expect one of those to take over a bass where keyboards are involved. It didn't seem to affect the live sound, though.
They didn't leave us without playing '17' of course, but I couldn't help but think that if 'she was only 17' all those years ago, surely she must be pushing 40 by now?

All in all then, a very good gig; two very good bands and an opener with potential. Well worth the trip up the M62, even if the band were and still are perceived as 'uncool' by those daft enough to be fashion victims still (as opposed to victims OF fashion as Kip and co were!). I'd go as far as to say that even Beavis and Butthead would have enjoyed the gig (even if they insisted on staying hidden throughout, huhhuhhuh!)

Next time you get a chance to see this band, take it.

Caught Live: Y&T - Academy 3, Manchester 27 October 2009

Another gig that I left up until the last moment before deciding to attend, and I cut it rather fine when getting in to find the guys on and playing. As they were due on at 9pm and I had only got into the venue a few minutes later, I guess I didn't miss too much.

There must have been a substantial 'walk-up' crowd this night, since I was able to get a ticket on the door but once inside I found a very full Academy 3. Admittedly this is the smallest of the venues at Manchester University but still, a very good turnout for a midweek gig as acknowledged by singer/guitarist Dave Meniketti. Of the current line-up I recognised only him and bassist Phil Kennemore from their glory days of the 1980s; I've not really stayed up to date with this band and in fact this was only the third time I'd seen them at all, the first being an appearance at the 1984 Donington festival.

Despite that however, I knew almost all the songs played in the set. They'd obviously decided to concentrate on the fan favourites, and so the set was heavily weighted in favour of material from their early 80s heyday. So we got all the classics, including 'Dirty Girl', 'Mean Streak', 'Barroom Boogie', 'Hurricane' and an excellent 'I Believe In You', allowing Meniketti to showcase his more bluesy guitar style. Their only UK hit 'Summertime Girls' was delivered mid-set also; I know they had to play it but even so, it invokes uncomfortable memories of Jonathan King and his 'Entertainment USA' programme from the 80s (!)

Dave Meniketti impressed with some sublime guitar playing; he mainly sets his guitar to kill but when he chooses to, he can play with real subtlety and feel. His voice held up pretty well too considering he told the crowd he'd been hit by a bug just days before. He handled most of the lead playing but was backed well by fellow guitarist John Nymann, who did occasionally get a chance to show his own leads (unlike the Joey Alves days, who preferred to concentrate purely on rhythm)

Late in the set, bassist Phil Kennemore was given the microphone to perform 'Squeeze' from the classic 'Earthshaker' album; he and Meniketti were lauded with football-style chants but Phil chose to get the crowd to chant back 'F**k You Phil' – that, he explained, was because while on tour, he missed hearing that from his wife (!) There was a brief drum solo from Mike Vanderhule during this song but by the time it came, most of what we had come to hear had been played so it was not too intrusive.

There was not much in the way of stage banter from the frontman, the guys had a lot to get through and just got on with it. Consequently it sometimes came over more like a pub gig, but nobody came to hear Dave Lee Roth-style joking around. However, one request from the crowd to play 'Lipstick and Leather' was granted; they had obviously not rehearsed it and just about managed to busk their way through it, to big cheers.

The main set ended with 'Forever' before they came back to do just the one song as an encore, what else could it be but 'Rescue Me'. The night ended with Kennemore getting the crowd to chant 'F**k You Phil' some more, much to his amusement!

All in all then, an excellent gig; a throwback to the days when Metal was allowed to have melody and musicianship. The operative word being 'throwback'; that was the only thing that left a slight downer with me. The audience tonight was almost exclusively male 30/40-somethings, apart from one or two who were there with their fathers there were absolutely no younger fans that I could see. I cannot complain about the set being full of songs that are at least 25 years old either, since they all hold up extremely well and will probably still sound good in another 25 years (will we still be saying that about the latest hotshots... draw your own conclusions!) but, this show was definitely preaching to the converted. Maybe it's just me, but I really think bands such as this shouldn't be reliant on a fanbase that is ageing with them, they should be attracting new ones to go with the existing fans. I suppose you have to be a really massive name like AC/DC or even Whitesnake to do that but, if this kind of music is not attracting younger fans to rock then I dread to think how the scene is going to look in years to come. Surely it can't be as bad as the dark days of nu-metal... can it?!?

Y&T official website

Caught Live: Thunder, Manchester Academy 1, July 3 2009

A week has passed since the enforced cancellation of a high-profile series of farewell concerts from one of the world's biggest stars, but scheduled for around the same time (and with a lot less hype) was this farewell tour from Thunder, one of Britain's best-loved rock bands. Fortunately all five guys were present and correct to be able to play this tour, and the Manchester Academy was packed out on this very hot summer night. Thunder announced they were to call it a day (for the second, and presumably now, final time) at around the start of the year, causing much disappointment to their loyal band of followers. After my own initial disappointment at the news, I dealt with it by regarding everything they did since 2002 (when they came back from an earlier split) as a bonus, and figuring that after 20 years as a band, they really do not owe us any more. So it was with calm acceptance that I booked tickets for this tour, and given that my own circumstances have changed substantially since then also, I can sort of understand where the band are coming from.

The audience in the Academy were out to have themselves a great time, the atmosphere was charged from first minute to last and when the band emerged (led by bassist Chris Childs) the newly-refurbished venue was in danger of needing another new roof. The set was substantially different to their previous visit only last Autumn, this time they rolled out many of their best-loved songs from across their back catalogue, rather than pushing the 'Bang!' album as they did last year. Surprisingly, it took until relatively late in the set before we got anything from their legendary first album; the fact that this did not affect their reception one jot shows the strength of the band's material. They could play for about four hours and still leave out somebody's favourite song, they have so many good ones. Once again it was singer Danny Bowes who conducted matters supremely well, he could come on and recite the telephone directory and still be cheered to the rafters! He sang well, as always, but to me not quite at the level he was last year, when he was in spine-tingling form. This time he was at around 80% but even at this level he is still a cut above many other rock singers. He will be a massive loss to the scene. The set seemed to be chosen with a party in mind, there was little respite in the form of ballads and instead it was mostly uptempo stuff delivered. My only real quibble was the out-front sound, I was dead centre about 30 metres off the front in a prime position, but even I found it LOUD in this fairly large hall. At times the sound simply bludgeoned the ears, it could have done with being a little less intense I thought, and I'm not having that I'm getting too old for all this (!) - it really was a bit heavy. The sound out front was almost matched by the audience noise however, they were really up for this and even Danny Bowes was forced to concede it was louder than Glasgow the night before!

Support came from the increasingly-popular Scottish band Logan; the venue was filling nicely as they played, and it was gratifying to see them get a good reception from Thunder's infamously partisan crowd. Vocalist Kenny Collins managed to squeeze in a slagging for Kerrang! magazine, winning some loud cheers (including one from your correspondent) - but it was their playing and especially the vocalist's performance, which won over the crowd. The guys are going places, whatever Kerrang! might think!

Good though Logan were, tonight was all about Thunder. Despite the sheer volume, this was a triumphant night, and definitely they are going out with the BANG! suggested by their last album. The rock scene will be the poorer for their demise, but they have given us a whole lot of studio and live material to enjoy in years to come.

Set list:
Loser
Dirty Dream
On The Radio
Low Life in High Places
Somebody Get Me A Spin Doctor
Empty City
The Devil Made Me Do It
Love Worth Dying for
River Of Pain
Just Another Suicide (You Wanna Know)
Love Walked In
I Love You More Than Rock 'n' Roll
______

A Better Man
An Englishman on Holiday
Dirty Love

Caught Live: Thunder - Academy 1 Manchester, 22 November 2008

On the eve of this tour, the unthinkable loomed: Thunder were to tour without Harry James! The band's website had announced that the irrepressible sticksman was forced to withdraw from the shows, he'd been diagnosed with kidney stones (owwwwieee!).
At extremely short notice, the band recruited John Tonks in Harry's place, and played the first date at Exeter. The next night, the band were due to play a sold-out show at the Manchester Academy, this was the only date yours truly could make this time around. Word came through that Harry was *in the building*, and so it proved, shortly after 9pm when the guys came on stage, and that familiar figure took his spot at the drumkit, Harry - back!
They were greeted like homecoming heroes, Harry especially, as they commenced their set.

This time around, Thunder have a new album 'Bang' to promote, and played their customary solid set, mixing old and new material. They opened with the lead-off from 'Bang', a rant set to music called 'On The Radio' which takes aim at the 'business' in general for not giving the band much in exposure down the years. The packed crowd were into it from the off; this song contains a 'f- you!' which was delivered, with relish, by the crowd after some 'wait for it!' prompts from singer/master of ceremonies Danny Bowes. It was one of those nights where Thunder could do no wrong, MC Bowes once again had them in the palm of his hand. It never ceases to amaze me how good he is at controlling a crowd, as well as being one of the best singers in the business he is a born showman, a leader.

I rave-reviewed their last show at this place last year, when the Academy was a building site. It was essentially more of the same this time round, but in a completed (and much-improved) venue rather than a hard hat area!
The new songs went over as well as the oldies, suggesting many present had already got the 'Bang' CD, but they brought back some of my personal favourite old songs in this set, including the stunning 'Don't Wait For Me', the epic 'Empty City' and the one that tops my favourite songs list: 'Higher Ground'. I only wish I could have seen more of the shows on this tour; I always enjoy Thunder's shows but this one especially so. Basically, see last years' write up and multiply it by two, you might have an idea of how great it was! ;-)

Support came from Get Vegas and Heaven's Basement; I'd missed Get Vegas by the time I got to Manchester (sorry lads, but that's what happens when there's a home game at Anfield!) but I did see Heaven's Basement. Previously known as Roadstar, they've started again after some business-related hassles. They played to an already full crowd, and went over very well. I never really got Roadstar until I'd seen them a few times but this was a definite step up. Singer Richie Heavnz has matured into a more assured frontman and the band are a notch or two heavier than in their previous life. I would like to see the guys again in the near future.

All in all then, a great night for lovers of rock like it used to be; to think that less than a decade ago, Thunder were calling it a day after repeatedly bashing their heads against the music business wall, now here they are, selling the Academy out with very little publicity. If this upward trend continues, they could well be doing the arenas soon, this time as headliners! (We've got one here now lads - oh you know that, you played it in July!)

Go and see Thunder next time they come anywhere near you!

Set list (thanks Thinny!!)
Backstreet Symphony
On The Radio
Carol Ann
Low Life In High Places
The Devil Made Me Do It
Empty City
Dirty Dream
Love Walked In
Stormwater
Can't Keep A Good Man Down
Don't Wait For Me
I Love You More Than Rock 'n' Roll

Encore:
Candy Man
Higher Ground
Dirty Love